There Is No Why

© 2012 Whitney Reed

© 2012 Whitney Reed

Saturday morning, I made a quiet breakfast of scrambled eggs and grits with my own six-year-old. Just the two of us. She sang in her room just beyond the kitchen as I cried into the bowl of broken egg guts and cursed the bits of shell that fell in. I believe everybody was hit more than once, the words of the Chief Medical Examiner have been ringing in my ears. And because I can’t encounter any piece of news without taking it on myself, injecting it into my own heart, I could only imagine her little overalls, her hands, her sweet brave forehead, her perched on a bathroom sink by a teacher who barricaded her class into the bathroom while gunshots fired in the next room, across the hall, who knows where.

I’ve been so overcome, I took her to the aquarium today. Because, really, there’s nothing more peaceful than an aquarium. It’s otherworldly. Creatures floating in water all around, and people, swarms of people, sharing moments of laughter and wonder behind a sheet of glass. It was raining when we left. Who would know? On the way home, Ruthie asked me, “What’s it like to be a grown-up?” And I thought, THIS. This is what it’s like to be a grown up. It has something to do with knowledge, and loss, and love, and what to do with all of that, but I didn’t tell her this of course. I told her it meant you could eat ice cream for breakfast if you wanted to.

I remember when Ruthie was first born, our first outing. She was maybe 3 weeks old. I don’t know, maybe a month. I can’t even remember where we went, but there were other babies there with their own mothers, some of them crying. And I remember I could feel their cries in my gut. I physically reacted to them–looking to my own Ruthie’s peaceful face with panicked confusion. But you don’t LOOK like you’re crying. And this is what I feel like we are all doing about Newtown–we are owning their pain, their loss, because it feels like it is OUR loss. And it is unimaginable. That is one of the most painful, most beautiful things about us humans: It’s primal, our connection to one another.

We can talk about gun control, we can talk about how we should provide more resources to the mentally ill, how we should call our representatives, and how we should pray more. And, you know, I’m not saying those things aren’t important. But the truth is that bad things happen for no good reason. All of these articles about the shooter and his mother… and WHY. We’re all asking why. Why are we asking why? Because if we can understand it, then maybe we can control it. And, sure, there are things we could do, measures we could take, but the truth is that bad things do happen for no good reason. And this is what makes us hug our babies tighter and kiss their hairlines, breathing deep, thankful and sad at the same time.

I was a teacher for seven years and I can’t imagine what I would say to my students tomorrow morning if I had to face them. I’ve been a mother for just as long and, thankfully, I haven’t had to talk about it to my own little girl. It’s been a silent, very grown up kind of suffering these past few days. But if I had to explain it to anyone, I’d fall back on the wisdom of Mr. Rogers, which is really a good policy in any given situation, because I like his focus. He says:

“When I was a boy and I would see scary things in the news, my mother would say to me, ‘Look for the helpers. You will always find people who are helping.’ To this day, especially in times of ‘disaster,’ I remember my mother’s words and I am always comforted by realizing that there are still so many helpers – so many caring people in this world.”

So what are we supposed to do with all of this? Holding someone’s hand is always a great place to start. Or tell the people you love that you love them. Sing the hero’s song. Cry a little. Send love. Good, human, hearty love. Pay attention to all the awesome shit that’s happening right in front of you. Maybe turn your phone off and admire the tower your six-year-old made out of 52 Jenga blocks straight up. Shore those fragments against the ruin, T.S. Eliot style. Or maybe just wash her favorite pair of overalls every night this week so she can wear them every day. I know in this house, we’ll be eating ice cream for breakfast tomorrow morning. With fruit, of course. It’ll be a few more days before I can bear another broken egg.

The Amber Moment

© 2011 David Parker

“Here we are, trapped in the amber of the moment. There is no why.” [Kurt Vonnegut]

I’ve discovered that I am most present with what is not here. I am the kind of person who longs for. Who savors. Who stockpiles hotel keys, t-shirts left behind. Who, as a child, licked the bowl, the spoon, the bottom of the just-cooled skillet my grandmother used to make her chocolate icing. Who saves letters not for the words they contain but for the handwriting, for the hands that brushed the page.

I linger. I want everything, but especially this, to last. Preservation, proof, posterity: these are the things I write for.

I spent my teenage years and my early twenties fascinated by home videos and pictures of myself as a child. I seemed so quiet and so calm–not words I’d use to describe myself now. My favorite album was the one that contained images from the first weeks of my life–Mom in the hospital bed holding me with (strangely) a clown behind her, Dad with his socks pulled up balancing me on one arm (I was so small my head fit into the palm of his hand and he’d hold me out like you might hold a crystal ball), my granddaddy so young his hair was dark. Ruthie, too, is captivated by the video of her first days. We’re enthralled, I think, by the love we see our baby-selves receive. Now that I’m a parent, I know that as we grow, that love doesn’t diminish, but it does become less apparent as we become less dependent. And so maybe, what drives us back to those first days is a longing for something we’re not so sure about, a longing for what we miss.

Every time Ruthie leaves for the weekend, she comes home someone else. More precocious, taller with hair on her legs, smelling like grass and dirt, saying things like “Let’s just not talk about that” when we begin to disagree. She disagrees. Unafraid of worms, lizards, frogs, she fears apocalyptic things like earthquakes, floods, jellyfish in the bathtub. She tells secrets, has secrets, makes up stories for the books she can’t read yet. And every night I regret the words I failed to put on the page to preserve the person she was today, the questions she asked: Are we human?

And in 20 years, in a month, five days, tomorrow, I will miss this. Through my doorway, Ruthie strolls past eating cheese with her stuffed elephant. Lately, she has decided that it’s best to fall asleep holding hands with me. On the way to the grocery store the other day, she said she wished there was no gravity so we could float everywhere. I said I felt like floating takes too long–sometimes I want to go FAST. She thought for a moment and then decided, “Okay. I wish for gravity. But I also wish for wings.” And it occurred to me that wings are kind of a celebration of gravity–without gravity, flying isn’t special. The past and the present, living and writing, have the same kind of relationship to me–the one celebrating the other.

The Fall

[This is the third in a series of posts about my first year of teaching. If you would like to read more, please click on “Becoming Ms. Reed” under Categories. Names have been changed to protect the privacy of the people in this story.]

In the mornings, students waited outside for the bell to ring. Feet hanging over a brick wall, loud-talking, and smacking on “breakfast pizza,” yesterday’s left-overs from lunch. It made me nervous to walk through them from the car to the school. So much laughing and fondling. Their breath hung in the air between them, collecting in the chill of morning. Everything about these students–their language, their postures–grated against my raising of restraint, respect, and privilege. The students’ catcalls that followed me into the building left me speechless, any retort or Smart Words that might stop them had been pre-conditioned to stop short in my throat where they stuck like glue dripping down into my gut. Powerless. Defenseless. Victim. These are the words I knew. These are the words I spoke when I came home from work each evening to ears that couldn’t possibly understand.

The days melted together. First block broke my spirit and my teaching and energy waned from that class on, decaying into each day’s end. Favorite excuse for getting out of class? “I need to step out. Gotta break wind. You know.” What was I supposed to say? No? I found myself desperately clinging to lessons about grammar and literature so stale I could hardly suffer them myself. Curriculum. Worksheets. Coverage. Maybe do some art to make the room look pretty. (My colleagues were fond of poking fun at how colorful and bright my room was with all the stuff on the walls. They always walked in with their hands shielding their eyes, feigning blindness.)

I quickly discovered that class was much more bearable if it was held outside. This was true for me and for the students. The fresh air was enough to put off the snickering and gossip of the fight that broke out at the Piggly Wiggly between two of the girls in my fourth block class; enough to make me forget the rumor I had heard that each girl had armed herself with a razor in her mouth; enough to fill my lungs, which were being encroached upon by my breeched baby’s head more and more everyday; enough to remind me that these were people I was teaching. Bringing the class outside felt more humane than anything else I did as a teacher that semester.

Unspoken: Here, see the sun? See the grass? This is what we were made for. This is what the poets are writing about. We can all enjoy this. This is what makes us human. Me. And you. This is what we have in common.

There was a homeless pit bull with ribs sharp and jutting out at weird angles. Hollow. Fur matted. Its face was scary despite its weakness. Slack-jawed, tongue hanging dry, its walk was slow, always careening toward me it seemed. The dog elicited all sorts of jeering and laughing from the kids. My fear of the dog was transparent. Some days the students played to my fear, taunting the dog to come over. Other days, they shooed it away. I never knew the kind of day it would be.

What I knew for sure, everyday, was that the drive would be a kind of relief–a sweet purgatory between two worlds, two institutions, I struggled to fit into: school and marriage. School is the one that remains.

Today, it’s spring outside of my classroom window where I’m writing and the kids are at lunch. When they come back, we’re headed outside to read The Odyssey. I’ve taught this story every year since that first fall. It’s my favorite thing to teach because it’s about being human. Today we’re reading my favorite part: when the Cyclops gets his eye gouged out by Nohbdy. “Now comes the weird upon me,” he roars. I love the Greeks and their deep respect for fate.

Three Days

© 2011 David Parker

The truth? I flew to Idaho and back in three days to do a little housekeeping 2,500 miles from home.

There were pugs who jumped on top of tables to lick the cream out of my coffee and a boat that pushed through a thin layer of ice on the surface of the lake. In the middle of the lake was an island. On top of the island was a house with lots of windows full of people who don’t care if anyone sees them throwing rocks. In fact, they encourage you to throw your own rocks, or at least stop carrying them around, but no one casts the first stone. There was music that glittered with the water reflecting mountains dusted with snow. A child entrusted with a knife sat criss-cross-applesauce on the counter to help cut vegetables for dinner. Self reliance. Some kind of pasta with rabbit. A toast to me. To us! A world of plastic sea creatures, a sprawling spiral, on the child’s bedroom floor. Confidence that it is beautiful because she made it. Smiles. Hugs that don’t pull away. Affirmation.

An Invitation: You give away your anger, your only power, and trade it for a new one, a truer one, on the promise of a net that will appear only if you jump. But you know the net is there because of how you began.

Can you remember? When you were just barely a speck, a few cells glued together by your own spirit, glowing and warm inside of your mother’s belly? She doesn’t even know you’re there. But you know. And you are perfect. And your life holds nothing but promise. The universe adores you. You are a beautiful, beloved secret. Your world is a soft place filled with the faint sounds of your mothers laughter and the ins-and-outs of her breath when she’s sleeping. You remember. That’s not a question. You began there. We all have that in common. And your spirit, your cellular glue, has a voice that isn’t afraid because it hasn’t learned fear yet. This is mine. Hello.

In Remembrance of Snow Days

© 2010 David Parker

Holding a cup of coffee in my hands, I’m standing in the hallway to greet the students as they come in. As the girl with red ribbons braided into her hair hops through the door, her blue tu-tu flouncing around her, the warmth of my coffee mug feels like it’s coming from another time and place. The girl announces to the class that she’s dressed in red, white, and blue to celebrate the addition of a new ride at Six Flags called The Dare Devil Dive in the USA section of the park. As she describes the ride, the way it pulls you to the top, stops you, and then sends you hurtling down straight into the ground, I’m thinking that this ride sounds a lot like my re-entry into the classroom after so many snow days. And I’m thinking that my coffee and its heat in my hands is a piece of those snow days lingering the way good food smells linger in the house after I’ve prepared and devoured something especially yummy like grilled cheese with basil and tomato soup.

Belated: Xamp Xmas

Xamp Xmas began as a kind of reclusive, experimental approach to the holidays that grew from my dread of spending the holidays without Ruthie. Without my little buddy, Christmas just felt ridiculous. She spent ten days with her father, and I decided to spend those ten days quietly and without all the bustle and hustle–no presents, no parties, no long trips home, no big family dinners. I allowed my days to be enveloped by a growing entropy that made time pass in strange, unmarked ways. The experience was relaxing, like living in the eye of a storm.

Armed with documentaries I’d been wanting to see and books I’d been meaning to read, Xamp Xmas was a generally cozy experience, though there were parts of it that were hard. Since I would get Ruthie back on the 26th, her dad decided to “do Christmas” a few days early so she’d have time to play with her toys and stuff. So Ruthie called me on December 22 to wish me a Merry Christmas. When Ruthie called on “Christmas morning,” I was up in Atlanta hiding out during the days while David worked. Something about that phone call made me feel sad deep down in my marrow. I hated that I didn’t get to set out her presents, that I didn’t get to wake her up and see that sleepy, swollen excitement leap into her eyes, that I didn’t know until I spoke to her on the phone that Santa was bringing her a guinea pig (which would be a lovely pet for her to keep at her father’s house). I hung up the phone with her and was overwhelmed by the desire to be a part of the holidays. So I jumped in the shower and headed to the MECCA of Christmas: Lenox Mall.

Traffic was a mess. I had to valet park. Ten freaking dollars. Clusters of people were waiting for their cars with their hands full of bags bloated with the “perfect presents.” Inside, the mall was positively vibrating with “Christmas spirit,” which felt manic. I walked from one end of the mall to the other, found a restaurant and had a mojito while I read a book. I felt ridiculous. The mayhem, the bright lights, the noise, the energy all felt so arbitrary. All of these people were fighting to cram in their shopping ahead of time while my baby girl was having her Christmas day NOW. The hype, the energy, the mania–all of it was disorienting.

That night, I picked up David from work and told him about my day–how I’d talked to Ruthie, how she’d gotten a guinea pig, how I’d gone to Lenox Mall, how I’d drunk a mojito next to a woman at the bar who didn’t speak English, how terribly cliche the experience of being a single parent without her child on Christmas had felt. I perked up when he affirmed that indeed, that did sound depressing and suggested we do take out for dinner. So we watched the Banksy film and ate a quiet dinner of Pad Thai, the unopened fortune cookies between us holding some kind of promise that felt warm and comforting to me. My cookie reminded me not to rush into things, his promised wealth and opportunity. A good night.

Christmas Eve, we made white-chocolate-covered pretzels with sprinkles and watched half a dozen movies that weren’t “Christmas” movies, but that were set during the holiday season: Die Hard, Ghostbusters 2, Batman Returns. We walked across the street and had dinner, and declared this a most excellent Christmas Eve. My family was in Colorado skiing, and, though I missed them, I was perfectly content to be sitting next to my favorite guy eating a white truffle chicken salad sandwich and sipping on a “Ruby Slipper” (a drink with rosemary syrup that tastes like Christmas). And herein lies the paradoxical emotional experience of the single parent: that you can miss your kid so completely, so deeply, that it settles like a stone caught in the bottom of your gut; and that you can, at the very same time, enjoy (down to the tips of your toes) the quiet adult time you are granted because of her absence. It’s a complicated, confusing, often enriching experience that makes me truly appreciate both the time I have with her and the time I have to myself.

Christmas morning, we woke up to a dead car battery, which, with the help of AAA, we overcame. We schlepped to David’s parents’ house two hours away for an early Christmas dinner. Their warm house and the mimosas we drank were a relief to me. Our dinner was quietly festive and warm. I had decided not to join my parents and brothers on their trip to Colorado, and, though I didn’t regret my decision, I felt sad when my dad called me that afternoon. He’d decided to call it quits earlier in the day than everyone else, and I felt a pang as I realized that, if I’d been there, I’d be sitting next to him drinking a beer and looking out at the snow and the mountains. I could hear the distance in his voice so many miles away on this, the first Christmas I’d spent away from him in 28 years. The presents my family had shipped to me before they left emphasized that distance–humbled by the brown paper packaging, the lip gloss and old holiday movies my brothers sent me were particularly touching. The simplicity of those gifts–two or three thoughtful items– made me appreciate why we give gifts at all. Because “the perfect gift,” at any time of year, reminds us that we are understood, that the people we love and care most for “get us.”

The thing I loved the most about Xamp Xmas was its balance. It was the perfect mixture of holiday and rest. Rather than being a time marked by obligation and chaos, it was a time rooted in the present and marked by gratitude.

Sight-Seeing on Lysithea

© 2010 David Parker

For the past few days, thoughts have been popping in my head like Christmas ornaments: delicate implosions that crunch underfoot. Their tiny shards have embedded themselves in the folds of my brain, glittering like secrets. I’ve been opportunity’s call girl, chauffeured around my own town. See! Look! There! The world around me has graciously collapsed, and is now speeding, tumbling towards a fate of my own making. A fate I brewed from melted stars, metal birds, and horizons devoured by the fiery mouths of setting suns.

So this is what it feels like, doing what you love? Like you have a secret moon in your mouth? Like the world is hugging you while you walk around inside of it? Like listening, on repeat, to the liquid sound of your favorite person’s voice and the laughter that shatters it?

Like when you realize that your favorite person’s voice belongs to you.