There Is No Why

© 2012 Whitney Reed

© 2012 Whitney Reed

Saturday morning, I made a quiet breakfast of scrambled eggs and grits with my own six-year-old. Just the two of us. She sang in her room just beyond the kitchen as I cried into the bowl of broken egg guts and cursed the bits of shell that fell in. I believe everybody was hit more than once, the words of the Chief Medical Examiner have been ringing in my ears. And because I can’t encounter any piece of news without taking it on myself, injecting it into my own heart, I could only imagine her little overalls, her hands, her sweet brave forehead, her perched on a bathroom sink by a teacher who barricaded her class into the bathroom while gunshots fired in the next room, across the hall, who knows where.

I’ve been so overcome, I took her to the aquarium today. Because, really, there’s nothing more peaceful than an aquarium. It’s otherworldly. Creatures floating in water all around, and people, swarms of people, sharing moments of laughter and wonder behind a sheet of glass. It was raining when we left. Who would know? On the way home, Ruthie asked me, “What’s it like to be a grown-up?” And I thought, THIS. This is what it’s like to be a grown up. It has something to do with knowledge, and loss, and love, and what to do with all of that, but I didn’t tell her this of course. I told her it meant you could eat ice cream for breakfast if you wanted to.

I remember when Ruthie was first born, our first outing. She was maybe 3 weeks old. I don’t know, maybe a month. I can’t even remember where we went, but there were other babies there with their own mothers, some of them crying. And I remember I could feel their cries in my gut. I physically reacted to them–looking to my own Ruthie’s peaceful face with panicked confusion. But you don’t LOOK like you’re crying. And this is what I feel like we are all doing about Newtown–we are owning their pain, their loss, because it feels like it is OUR loss. And it is unimaginable. That is one of the most painful, most beautiful things about us humans: It’s primal, our connection to one another.

We can talk about gun control, we can talk about how we should provide more resources to the mentally ill, how we should call our representatives, and how we should pray more. And, you know, I’m not saying those things aren’t important. But the truth is that bad things happen for no good reason. All of these articles about the shooter and his mother… and WHY. We’re all asking why. Why are we asking why? Because if we can understand it, then maybe we can control it. And, sure, there are things we could do, measures we could take, but the truth is that bad things do happen for no good reason. And this is what makes us hug our babies tighter and kiss their hairlines, breathing deep, thankful and sad at the same time.

I was a teacher for seven years and I can’t imagine what I would say to my students tomorrow morning if I had to face them. I’ve been a mother for just as long and, thankfully, I haven’t had to talk about it to my own little girl. It’s been a silent, very grown up kind of suffering these past few days. But if I had to explain it to anyone, I’d fall back on the wisdom of Mr. Rogers, which is really a good policy in any given situation, because I like his focus. He says:

“When I was a boy and I would see scary things in the news, my mother would say to me, ‘Look for the helpers. You will always find people who are helping.’ To this day, especially in times of ‘disaster,’ I remember my mother’s words and I am always comforted by realizing that there are still so many helpers – so many caring people in this world.”

So what are we supposed to do with all of this? Holding someone’s hand is always a great place to start. Or tell the people you love that you love them. Sing the hero’s song. Cry a little. Send love. Good, human, hearty love. Pay attention to all the awesome shit that’s happening right in front of you. Maybe turn your phone off and admire the tower your six-year-old made out of 52 Jenga blocks straight up. Shore those fragments against the ruin, T.S. Eliot style. Or maybe just wash her favorite pair of overalls every night this week so she can wear them every day. I know in this house, we’ll be eating ice cream for breakfast tomorrow morning. With fruit, of course. It’ll be a few more days before I can bear another broken egg.

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Three Days

© 2011 David Parker

The truth? I flew to Idaho and back in three days to do a little housekeeping 2,500 miles from home.

There were pugs who jumped on top of tables to lick the cream out of my coffee and a boat that pushed through a thin layer of ice on the surface of the lake. In the middle of the lake was an island. On top of the island was a house with lots of windows full of people who don’t care if anyone sees them throwing rocks. In fact, they encourage you to throw your own rocks, or at least stop carrying them around, but no one casts the first stone. There was music that glittered with the water reflecting mountains dusted with snow. A child entrusted with a knife sat criss-cross-applesauce on the counter to help cut vegetables for dinner. Self reliance. Some kind of pasta with rabbit. A toast to me. To us! A world of plastic sea creatures, a sprawling spiral, on the child’s bedroom floor. Confidence that it is beautiful because she made it. Smiles. Hugs that don’t pull away. Affirmation.

An Invitation: You give away your anger, your only power, and trade it for a new one, a truer one, on the promise of a net that will appear only if you jump. But you know the net is there because of how you began.

Can you remember? When you were just barely a speck, a few cells glued together by your own spirit, glowing and warm inside of your mother’s belly? She doesn’t even know you’re there. But you know. And you are perfect. And your life holds nothing but promise. The universe adores you. You are a beautiful, beloved secret. Your world is a soft place filled with the faint sounds of your mothers laughter and the ins-and-outs of her breath when she’s sleeping. You remember. That’s not a question. You began there. We all have that in common. And your spirit, your cellular glue, has a voice that isn’t afraid because it hasn’t learned fear yet. This is mine. Hello.

The words are purposes. / The words are maps.

[The title of this post is taken from Adrienne Rich’s poem “Diving into the Wreck.”]

© 2010 David Parker

T.V. sounds reverberate from the living room:
loud, energetic, open-mouthed voices. Must be
a commercial. I’m trying to nail down a metaphor
to stand for the sound of her voice
(escaping through a mouth stitched shut against
crying) on the other end of the line.

And I think:
That’s a lot of prepositions.
And I remember:
to the log, over
the log, around the log,
under the log,
through
the
log,
across the log, for
the log, with the log,
about the log.

And the more I think of the word log,
the more the word becomes
not a word signifying a thing
but a strange-sounding noise
like when you say
your name
over and over and over and over until
it becomes a foreign sound and
it’s strange to think that the sound
is you
because it makes no sense
only sound.

And then you try emphasizing
different parts of the word:
YOURname, yourNAME,
you-R-name.
Or you say it different ways:
yourname. YOURNAME. Yourname?
Yourname! Yourname?!
…yourname.

But you can never separate
the sound so far from its meaning
that it won’t snap back like
a rubber band.

Try it.

Say:
tragedy.
tragedy. tragedy. tragedy. TRA-
gedy. TRA-gedy. tra-GE-dey. tra-ge-DY.
tra-ge-DY. Tragedy? Tragedy. TRAGEDY!
tragedytragedytragedytragedytragedy.
Tragedy.

That’s what we did (my friend and I
on the phone).

A Friday Folds Into Itself And Falls Away

© 2010 David Parker

Friday afternoons, I begin to breathe. I’m sitting outside with a beer that is quickly turning warm waiting on a friend whom I refer to as Aunt Bea and whose kindness always overwhelms me. She’s the type that still mails cards (you know, with stamps). And while she’s stuck in Game Day traffic, I have the opportunity to talk to another friend who is going through one of those times that makes me want to reach through the phone and press my hand into hers and just squeeze I’m here. But I’m not there, I’m here, drinking a beer and watching a young man who dines alone awkwardly make conversation with the older woman sitting near him waiting on her party. To his burger, he says, You never let me down. I’m thinking I can’t even live up to that hamburger with my friend on the phone so far away and me doing that thing I always do when I don’t know what to say, which is to say nothing except I love you because what else is there to say.

Around the time I get off the phone, Aunt Bea has arrived, ruddy-cheeked and grinning. We eat and drink and have one of those conversations that can only happen when you’re both on the same page moving at the same speed through your lives. By the time we leave, I’m sweating and a bit too full. And as I pull into the driveway, I’m overcome by that lonely, sinking feeling I get when I realize that Ruthie’s at her dad’s house for the weekend. It’s a feeling that always surprises me, because I expect to feel relief, but it’s a long time falling asleep the first night she’s gone.

Waving and Thankful

© 2010 David Parker

All my life people have been trying to save me. My grandmother, many of my friends in high schools and college, my family, but especially my grandmother. And they all say the same things: that God is working on my heart and that they are praying for me. All my life, I assumed that these people who wanted to save me were acting from some personal conviction that either they were better than me or I was doing something terribly wrong, or both. Today I saw two people who have been praying for me for a long time: my grandmother and a very dear, beautiful friend whom I’ve known since I was in kindergarten.

This morning, we visited my grandmother in the nursing home. She was dozing on the couch in the common room when we got there and it took her a few seconds for her face to register that she saw us. Ruthie came skipping in with me and all the old ladies sitting in heaps around the room turned toward Ruthie like flowers toward the sun. Terribly unsettling and sad. And so we sat there, Grandmother and I, on the badly upholstered sofa, while Ruthie flip-flopped like a fish out of water. She was so taken with Ruthie and how big she’s gotten. I was so taken by the fact that she’d evidently had her toenails painted a deep shade of red (I later learned that they offer manicure/pedicures at the home). When I left she said that next time I came home, she’d take me shopping and assured me that she had been praying for me. There was something about the way she said these last two things that made my chest hurt.

On the way out, I checked the time. We’d been there maybe 40 minutes. It occurred to me that she’s there all day. More chest hurting.

At 1:00, I picked up my friend for lunch. 45 minutes later, I was crying into my white truffle chicken salad. We talked a lot mostly about how we thought things would be much easier, how we only wanted these small things. And then she started talking about hope and what her hope is in. I’ve never understood hope, and, when I have allowed myself to hope, I have been generally disappointed. My friend has also been disappointed, but she hopes anyways. And she hopes for me. And prays for me. And I am so deeply, wonderfully grateful.

Grateful because both of these women were offering me their hopes and their prayers the way you would offer anyone you love a cup of tea with honey at the end of a long shitty day. No judgement, just a desire to share something that has made their hearts lighter.

It’s strange how heavy thankfulness can feel. It’s much easier to shrug off other people’s hopes and prayers, even get pissed off at them, get all Who does she think she is praying for me. Because to accept their hopes, their prayers, is also to admit that you need them (even if you don’t understand them). And gratitude, real gratitude, is humbling. And humility is rather uncomfortable.

So last week, I wrote about “Thanks,” a poem by the new Poet Laureate W.S. Merwin. This poem mesmerized me when I read it the first time or two, but today I felt it in my bone marrow. In the last stanza, he writes

we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

Two things are difficult about these last lines for me: that nobody’s listening and that it’s dark. But it occurs to me that someone is listening: me, the reader. I’m listening to the voices in this poem saying thank you. So maybe not-nobody’s listening to me too. And maybe I’m waving in the dark, but there’s a lot of us here waving in the dark, so maybe we’re not waving at nobody. Even though I can’t always see it or hear it, I believe in the we of this poem. And isn’t that faith?